Entertainment / Opinion

“Hollywood’s Bleeding” — Post Malone

Post Malone’s third studio album Hollywood’s Bleeding was released September 6th and undoubtedly debuted atop the US Billboard 200, making this his second number one album in the U.S.

Setting the bar even higher with an unmatched level of features on this album, he brought along DaBaby, Future, Halsey, Meek Mill, Lil Baby, Ozzy Osbourne, Travis Scott, SZA, Swae Lee, and Young Thug. There’s no question that Post Malone’s artistry synced well as he’s equipped with versatility and stylistics that make these sorts of collaborations between multiple artists a success.

Behind the scenes, most recognized of those who handled the production of the album were Andrew Watt, BloodPop, Brian Lee, Carter Lang, DJ Dahi, Emile Haynie, Frank Dukes, and Malone himself.

Within a little over a year, the production of the album encompasses Synth-pop, rock, trap, and hip-hop allowing Malone’s diversity to pilot the album as it falls under multiple music genres which should come as no surprise being that Malone is known to blend different genres of music together ultimately making his own sound.

Rolling Stone even reviews the album saying, “Post Malone’s Hollywood’s Bleeding enjoyed a second consecutive week atop the RS 200. After clearing half a million album-equivalent units during its debut week, Hollywood’s Bleeding added 193,000 more in the latest tracking week.”

Malone does something different with this album and yet still manages to set the bar high and rock the charts album after album. His fans will surely place any of his future projects in high regards because after the deliverance of not one, but two outstanding albums, fans will not settle for less at this point.

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